“Samuel Boden…More pristine vocal flourishes than his would be hard to come by.” The Financial Times, 15 July 2015 “It was Samuel Boden’s beautifully lyric voice which was to the fore, but there was a firmness to his fluid high tenor too.” Planet Hugill, 15 July 2015
“The tireless Samuel Boden was totally convincing as the shell-shocked Orpheus…with a honey-toned, easy upper range. Although plaintive lyricism brought out the best in his voice, he could also handle the coloratura showpiece “L’espoir renaît dans mon âme”, and this while carrying Cupid on his shoulders. Mr Boden maintained such a gut-wrenching intensity throughout the arduous performance” ★★★★☆ Backtrack.com, 13 May 2015 “British tenor Samuel Boden is perfectly cast as Orpheus: not only does he have a wonderful timbre, but he also conveys with great conviction the changing moods of the title hero”Translated from the Cultural Press Agency, 2 May 2015 “Particularly impressive is...
“Orphée, sung by Samuel Boden, is outstanding. His vocal colour, perfect diction and exceptional phrasing are spot on.”Forum Opera (trans), 19 March 2015
“Boden showed off his easy lyric tenor…and demonstrated his flexibility by doubling as the third nymph in the trio of nymphs” Planet Hugill, 13 February 2015
“a virtuoso element which was beautifully realised by Boden.” Planet Hughill, 26 January 2015 “tenor Samuel Boden being outstanding” The Independent, 26 January 2015 “Samuel Boden sang ‘Arise ye subterranean winds’ which [has] a slightly awkward melody, but with quite a virtuoso element which was beautifully realised by Boden.” “Boden showing a mellifluous lyric tenor voice and excelling at the elaborate ornamentation of the songs” Planet Hugill, 25 January 2015
“Samuel Boden as the Shepherd [was] both incisive and superb…” The Guardian, 8 August 2014
