“Samuel Boden was a tender Idamante.”Opera, December 2021 “The overwhelming star of the evening is the Idamante of Samuel Boden, who only briefly survived the lily-adorned sacrificial altar, with a piano shimmer and the finest accuracy in haute-contre.”Nmz online, 17 November 2021 “the fine-voiced Samuel Boden as Idamante.”Orpheus Online, 11 November 2021 “Both Samuel Boden and Chiara Skerath are visually believable and immediately win over the audience with their beautiful voices. He with a bright, well-led tenor …”Der Online Merker, 11 November 2021 “The interaction and the musical dialogue between Chiara Skerath and Samuel Boden, who portrays the young prince is deeply moving. Samuel Boden has only...
“Idamante benefits from the distinguished musicality of Samuel Boden,”Diapason, 27 September 2021 “Samuel Boden’s Idamante is touched by grace… the British artist lives his role with a crazy naturalness, restoring both the worried tenderness of the son and the distress of the lover. “Forum Opera, 27 September 2021 “… Samuel Boden’s Idamante, whose clear voice is that of the French haute-contres and whose articulation is irreproachable”Concert Classic, 24 September 2021
“Tenor Samuel Boden sang as sweetly as the birds admired by his romantic interest Johanna”Opera Now, January 2020 “As an opera critic with a certain orientation towards pre-modern times, I was excited to hear the young British tenor Samuel Boden in the role of the young and charming sailor Anthony Hope. Boden is one of today’s finest exponents of the wonderfully peculiar voice type, haute contre , a very bright tenor voice found mostly within French 18th-century opera. It was fun then to hear Boden sing in a 1979 musical with the greatest of course.”NRK, 7 November 2019
“Well known haute-contre tenor Samuel Boden gives us a lesson in phrasing, with the usual elegance ..”Forum Opera, 21 November 2019
“Samuel Boden offers us a Jonathan, generous, loving. … The voice is agile, flexible and gives its full measure in the recitatives as in the following arias, “Sin not, O King” with the two bassoons, in particular.”ForumOpera, 6 July 2019 “Samuel Boden gives Jonathan, the unhappy hero caught between his duty and his feelings, the appropriate disturbed delicacy, supported by his elegiac tenor voice.”ConcertClassic.Com, 6 July 2019
“Peter Hoare imposes a Mortimer of biting lines and vindictive force, which contrasts with the ethereal timbre of Samuel Boden, the heir.”Toute la Culture, 3 June 2019 “The impotence of the king’s son is aptly diffused through the clear timbre of Samuel Boden.“Resmusica, 30 May 2019 “the Young Boy, then the young King, are superbly incarnated by the tenor Samuel Boden, whose voice, always at ease in the crystalline high notes and excellently projected, is an object of permanent delight.”Classique News, 25 May 2019 “Samuel Boden plays the Boy and Young King with a clear and bright timbre gaining confidence in parallel with his...
