“…you’d be a fool to stage it without the eponymous tenor who can both sing and act what can sometimes seem impossible. Samuel Boden is the perfect Platée, not only in his agile, confident management of the role’s vocal twists and turns, but also in his athletic prowess, with one particularly impressive display – no chance of seeing Jonas Kaufmann doing that one!” Music OMH, 30th May 2024 ★★★★★ “Into all this tawdry glamour steps Samuel Boden as Platée, ridiculous in green bathing suit, green wig and frog flippers. It’s a hugely taxing part composed for the high, virtuoso tenor that was a...
“Platée has an exuberance in the music that is so exciting and so compelling.” Ahead of her production of Rameau’s Platée this summer, director Louisa Muller gives us some insight into this lesser-known work, with some teasers of her interpretation, her key sources of inspiration, and a whistle-stop tour of the plot! Platée runs from Wednesday 29 May – Sunday 30 June 2024: www.garsingtonopera.org/whats-on/platee
On Saturday 24th February 2024 at 5pm Rochester Cathedral Rochester Choral Society, King’s School Rochester Senior Choir, Rochester Cathedral Choir
“Samuel Boden’s contribution was delightfully perky.”Planet Hugill – 28 September 2023
“Boden negotiated the protagonist’s haute-contre utterances with seamless elegance and sensitivity … “Opera, November 2022 “Samuel Boden gave a mesmerising vocal performance in the title role … “Opera Scene, 5 September 2022 “Samuel Boden’s Orphée negotiates his aerial line … with unfailing elegance and sensitivity … “The Stage, 5 September 2022 “Samuel Boden plays Orphée… my how he can act. His anguish at the death of Euridice is palpable; his disconsolation is abject as her body is carried off … Musically, the role of Orphée is demanding. Charpentier calls for an haut-contre voice … Boden rises magnificently to this challenge, taking his tenor high without the...
“…radiant height, dynamics and differentiating design – characteristics that also come to light in the performance of the tenors Samuel Boden and Guy Cutting.”Online Merker, 15 April 2022 “Samuel Boden’s moving timbre corresponds well to the anguished “O Schmerz”.”Forum Opera, 8 April 2022
